Starting in January Andrews Music Studios will provide a 10 week beginning guitar class. The group class meets for an hour once a week and tuition includes the method book. If anyone's interested email me.
Tuesday, November 10, 2009
Thursday, April 16, 2009
Slow Blues Salvation
Maybe that's a better title. It definitely allows me more freedom lyrically. Here's the alternate lead take that I feel is raunchier than the conversely soulful one in the previous link. It's abbreviated "slob". Slow blues.
Enjoy the tune:
Slowblues Salvation
Enjoy the tune:
Slowblues Salvation
Slowburn Salvation Sans Vox
I had some time so I worked this song over again. I built it from the ground up laying out the drum loop, then the organ part, a rhythm guitar part, the second guitar part (which had a lead that's not on this mix) and the final lead part. I haven't committed to a vocal part yet. The verse/chorus sections are pretty easy to follow. The solo I used here is one that fits the spirit of the song better. The other solo (which I'll try to mix today and add as an alternate take) is more jazz sounding to my ears. Think of the solos on "I'm Old Fashioned" from the Blue Train record. It's very Coltrane influenced.
Thanks for listening.
Slowburn Salvation (take1)
Thanks for listening.
Slowburn Salvation (take1)
Tuesday, April 14, 2009
Dig That Modern Sound
http://www.mediafire.com/?dtmjz25gz5j <---LINK TO SONG
An exercise in E with a rockabilly jump sound. Watch out for the minors. There's a simplicity to the recording. I set up the Princeton and the Strat. I put a Weber VST AlNiCo signature 10 in the cab to replace the drier Weber Ceramic that was in it.
I placed the mic the same height of my ears faced down towards the amp. Two takes and bruises later it was done. This is a demo I plan to chart and try with other musicians sometime. The form will be the hardest thing to convey and execute. Fun!
The last chord was an AFTERTHOUGHT...hence the delay.
Thanks for listening.
An exercise in E with a rockabilly jump sound. Watch out for the minors. There's a simplicity to the recording. I set up the Princeton and the Strat. I put a Weber VST AlNiCo signature 10 in the cab to replace the drier Weber Ceramic that was in it.
I placed the mic the same height of my ears faced down towards the amp. Two takes and bruises later it was done. This is a demo I plan to chart and try with other musicians sometime. The form will be the hardest thing to convey and execute. Fun!
The last chord was an AFTERTHOUGHT...hence the delay.
Thanks for listening.
Sunday, March 22, 2009
Chord Inversion
There's a tune I like by Django Reinhardt called, "Minor Swing". It's in A minor.
I was jamming around on it for a bit tonight and decided to end with this chord. The voicing is close and warm to my ears. It's an A minor 6/9 voiced from low to high-
A-F#-C-E-B
Think of it as a D9 shape with a B on the high E at 7th fret and the D dropped in lieu of the open A string. It's a very rich chord.
I was jamming around on it for a bit tonight and decided to end with this chord. The voicing is close and warm to my ears. It's an A minor 6/9 voiced from low to high-
A-F#-C-E-B
Think of it as a D9 shape with a B on the high E at 7th fret and the D dropped in lieu of the open A string. It's a very rich chord.
Tuesday, January 27, 2009
Europa's Gravity
Santana had a song called "Europa" on the Moonflower album. It was a live recording that I feel has emotive phrases and melodies. I drew from that with this song. There's a hint of the original melody in the song but the rest of it is pure distillation. I recorded all the parts myself.
Europa's Gravity
Thanks for listening!
Europa's Gravity
Thanks for listening!
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